Book Review - Music, Piety, and Propaganda: The Soundscapes of Counter‐Reformation Bavaria
Identifieur interne : 000086 ( Main/Exploration ); précédent : 000085; suivant : 000087Book Review - Music, Piety, and Propaganda: The Soundscapes of Counter‐Reformation Bavaria
Auteurs : Barbara EichnerSource :
- Renaissance Studies [ 0269-1213 ] ; 2016-11.
English descriptors
- Teeft :
- Additional city map, Additional material, Ample evidence, Angelus bell, Apparent evil, Authoritative participant, Available medium, Bavaria, Bavarian catholic, Bavarian countryside, Bavarian pilgrimage site, Bell inscription, Binary opposition, Book review, Brilliant insight, Canonical figure, Carolsinging pupil, Centralized architecture, Church bell, Civic soundscape, Civic sphere, Collegiate church, Complex relationship, Composer orlando, Concerted effort, Congregational song, Contemporary sonic history, Controversy unified, Conventional musicology, Corpus christi, Counterreformation bavaria, Court chapel, Creative opportunity, Critic such, Critical history, Current book, Daily activity, Decisive difference, Devotional literature, Devotional song, Different genre, Different type, Duke maximilian, Early modern, Early modern culture, Early modern england, Early modern europe, Early modern experience, Early modern germany, Elizabethan culture, Energetic culture, English literature, Enthusiastic pilgrim, Entire book, Entire region, Ethical claim, Excellent example, Excellent work, Expert control, Faithful labourer, Familiar problem, Feature much, Final chapter, Finesse argument, First chapter, First grouping, First time, First volume, Fisher, Fisher encounter, Fisher point, Flexible approach, Floor plan, Fond exploration, Further study, General antimilton position, Generous provision, Georgia essay, Good friday procession, Great shame, Greater enthusiasm, Hand contest, Haydon alexander, Hobbesian moral relativism, Hollywood movie, Home discipline, Human action, Human activity, Human agent, Humble litany, Important essay, Impressive array, Individual simile, Instrumental music, Introductory chapter, Jesuit church, Jesuit drama, John dennis, Jonathan crewe, Kent liam, Landmark church such, Lavish music, Least musical composition, Linguistic feature, Literary culture, Literary outsider, Literary production, Literate elite, Liturgical calendar, Luxuriant theatrical spectacle, Main actor, Major parish church, Many complete transcription, Many german cultural study available, Many music example, Many way, Marginal work, Methodological foundation, Milton criticism, Milton scholar, Milton scholarship, Modern audience, Modern notation, More attentive, More bibliography, More gunfire, More interdisciplinary appeal, More recent work, More serious, Move past, Music example, Music history thanks, Musical practice, Musical text, Nagging sense, Nashe, Necessary silence popular culture, Open space, Other hand, Other major author, Other reason, Oxford brooke university barbara eichner stephen joan pong linton, Oxford university press, Oxford university press website, Paradise status, Particular fondness, Particular shrine, Patrick hume, Payment record, Pilgrimage culture, Pilgrimage song, Pious song, Police ordinance, Political elite, Political reading, Popular culture, Popular piety, Previous critical paradigm, Previous monograph music, Primary source, Print market, Processional culture, Professional writer, Protestant identity, Protestant proclivity, Public worship, Reading nashe, Religious culture, Religious identity, Religious order, Religious silence, Repertoire choice, Rich reservoir, Rich resource, Rich tapestry, Roland frye, Rural bavaria, Rural space, Sacral landscape, Sacred concerto, Sacred geography, Sacred site, Same hymn sheet, Second chapter, Second volume, Secondary literature, Sensuous spectacle, Short chapter, Short shrift, Side chapel, Simple definition, Small group, Song text, Sonic discipline, Sonic event, Sound study, Soundscapes, Spacious hall, Special attention, Special effect, Specific point, Specific reading, Spiritual geography, Spiritual identity, Stephen fallon, Steve mentz, Stylistic analysis, Subversive potential, Such detail, Tavern song, Thematic grouping, Third chapter, Third volume, Thomas nashe, Time traveller, Traditional stylistic exploration, Unassuming pilgrim song, Unified theatrical space, Unmediated view, Unruly noise, Urban soundscapes, Urban space, Urbane influence, Various point, Various sacred, Various way, Vernacular religious song, Visitation record, Visual representation, Vocal polyphony, Wittelsbach duke, Wittelsbach dynasty, Year career.
Url:
DOI: 10.1111/rest.12137
Affiliations:
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<term>First volume</term>
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<term>Floor plan</term>
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<term>Further study</term>
<term>General antimilton position</term>
<term>Generous provision</term>
<term>Georgia essay</term>
<term>Good friday procession</term>
<term>Great shame</term>
<term>Greater enthusiasm</term>
<term>Hand contest</term>
<term>Haydon alexander</term>
<term>Hobbesian moral relativism</term>
<term>Hollywood movie</term>
<term>Home discipline</term>
<term>Human action</term>
<term>Human activity</term>
<term>Human agent</term>
<term>Humble litany</term>
<term>Important essay</term>
<term>Impressive array</term>
<term>Individual simile</term>
<term>Instrumental music</term>
<term>Introductory chapter</term>
<term>Jesuit church</term>
<term>Jesuit drama</term>
<term>John dennis</term>
<term>Jonathan crewe</term>
<term>Kent liam</term>
<term>Landmark church such</term>
<term>Lavish music</term>
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<term>Literary culture</term>
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<term>Literary production</term>
<term>Literate elite</term>
<term>Liturgical calendar</term>
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<term>Major parish church</term>
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<term>Milton criticism</term>
<term>Milton scholar</term>
<term>Milton scholarship</term>
<term>Modern audience</term>
<term>Modern notation</term>
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<term>More bibliography</term>
<term>More gunfire</term>
<term>More interdisciplinary appeal</term>
<term>More recent work</term>
<term>More serious</term>
<term>Move past</term>
<term>Music example</term>
<term>Music history thanks</term>
<term>Musical practice</term>
<term>Musical text</term>
<term>Nagging sense</term>
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<term>Open space</term>
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<term>Other major author</term>
<term>Other reason</term>
<term>Oxford brooke university barbara eichner stephen joan pong linton</term>
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<term>Oxford university press website</term>
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<term>Pious song</term>
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<term>Previous monograph music</term>
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<term>Professional writer</term>
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<term>Public worship</term>
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<term>Second volume</term>
<term>Secondary literature</term>
<term>Sensuous spectacle</term>
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<term>Short shrift</term>
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<term>Small group</term>
<term>Song text</term>
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<term>Sonic event</term>
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<term>Soundscapes</term>
<term>Spacious hall</term>
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<term>Special effect</term>
<term>Specific point</term>
<term>Specific reading</term>
<term>Spiritual geography</term>
<term>Spiritual identity</term>
<term>Stephen fallon</term>
<term>Steve mentz</term>
<term>Stylistic analysis</term>
<term>Subversive potential</term>
<term>Such detail</term>
<term>Tavern song</term>
<term>Thematic grouping</term>
<term>Third chapter</term>
<term>Third volume</term>
<term>Thomas nashe</term>
<term>Time traveller</term>
<term>Traditional stylistic exploration</term>
<term>Unassuming pilgrim song</term>
<term>Unified theatrical space</term>
<term>Unmediated view</term>
<term>Unruly noise</term>
<term>Urban soundscapes</term>
<term>Urban space</term>
<term>Urbane influence</term>
<term>Various point</term>
<term>Various sacred</term>
<term>Various way</term>
<term>Vernacular religious song</term>
<term>Visitation record</term>
<term>Visual representation</term>
<term>Vocal polyphony</term>
<term>Wittelsbach duke</term>
<term>Wittelsbach dynasty</term>
<term>Year career</term>
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